Some examples of pre- sent uses of the Tiinagh script are discussed below. Up to 14 languages have been recorded in its territory Lewis et al. The Story of Writing. Centre National de la Recherche Scientiique, pp. Re- garding its design, it is modulated according to a vertical axis and its proportions are more traditional, with longer ascenders and descenders.

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In these cases, the one that shows less similarity with other morphologically related alphabets is preferred. Department of Typography and Graphic Communication. For their time and the invaluable information they shared with me, Mohammed Lguensat and Youssef Ait Ouguengay. Both scripts, Tiinagh and Meetei Mayek, face similar challenges as they pursue their acceptance and adoption as autochthonous writing systems in contexts in which the foreign scripts that re- placed them have become common. Envoyer par e-mail BlogThis! Expanding the typographical repertoire After the release of the Tiinagh Ircam Unicode typeface, a debate 1.

Sélection du message Ajouter des meta tags à un blog sous Blogger Blogspot pour le SEO Si vous ne savez pas ce que sont les balises META, et l’importance de fifinagh de métadonnées, voici l’article détaillé sur la f Some signs that would be lengthy to write with a pen — like multiple lines or dots — are easily traced in one single movement using two or three ingers.

The Tiinagh Ircam Unicode font represents a milestone in this respect. Gifinagh notez que l’Amazighe s’écrit comme elle se prononce.

Tinmlt Sin includes guiding lines baseline, x- Handwriting trials following the Tinmlt height, ascenders and descenders revealing unmistakably its aim as Sin model. This hand, revived in ircm Renaissance at the time when the irst printers arrived in Italy, formed the basis of the irst humanist types, which preserved not only its clear style but also the use of two categories of letters for different purposes — polics characteristic that is still with us today.

They claim that the reported dates for some inscriptions would suggest that they are older than the Phoenician script.


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The Cursive Adaptation Mechanism In order to determine the general principles of cursiveness, Lguen- sat made an extensive analysis of the transition from capitals styles to cursive forms in different scripts, and categorises the transfor- mations observed — the Cursive Adaptation Mechanism — in three groups: One of the milestones in this respect was the Agraw Imazighen alphabet de- signed by the Académie berbère inbased on Tuareg variants last column in Figure 2.

However, when it comes to long texts, it presents the same readability drawbacks monotony, poor word shapes and lack of rhythm as other scripts when they are set all in capitals. Inthe ircam undertook an ambitious standardisation plan with the twofold purpose of maintaining as far as possible the graphemes in the different Tiinagh variants — ancient and current — while adapting the new alphabet to the structures of the standard Amazigh.

The new optimised typefaces A specimen with 16 typefaces created after this exploration was published by the ircam in see Appendix 4.

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The alphabet is unicase; that is, no differentiation between capi- tals and minuscules is made in its original form. Differences in the proposed dates of in- three possibilities: The joining parts of the cursive are shortened and transformed in in- and out-strokes that suggest their written origin.

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Pourquoi GoogleBot obtient-il des erreurs dans le Etude comparative entre les inscriptions libyques de la berberie centrale Algerie et la berberie occidentale Maroc.

Imprimerie Poliice Haralambous, Yannis. Both scripts, Tiinagh and Meetei Mayek, face similar challenges as they pursue their acceptance and adoption as autochthonous writing systems in contexts in which the foreign scripts that re- placed them have become common. Of these, 21 are reserved code points. Options SEO dans Blogspot.

The Tiinagh alphabet falls into this category, as it matches precisely these characteristics. However, Matthias Brenzinger They might vary in width depending on the script, period or style but, in terms of their height, all the letterforms are equal and are set aligned both at the base and at the top, resulting in uniform lines that hinder readabil- ity in long texts Figures 5.


Nonetheless, one of the most interesting aspects of these examples is that they give us the opportunity to observe how these three totally unrelated scripts are tifinagy in different ways Figure 3.

This characteristic, along with their larger size, makes them ideal for discriminating tifnagh el- ements of greater importance and plain text. In this par- ticular case, the extra vertical stroke that dif- ferentiates letter yadd from yatt is rendered as a diacritic mark to simplify and open the character. In some ways, the lowercase Roman letters inherited characteristics from both the capital and the cursive alphabets Figure 5. In spite of that, the types are consistently built and look good in scattered words or sentences in grammar books or diction- aries their irst uses.

According policr van den Boogert and Stromer the tifinagg examples in Morocco date back to the 16th century, and in Al-Andalus Muslim Spain they go as far back as the 10th century cited in Pilice Aissati Without attempting to be exhaustive, they can be grouped into it either for their people or their language, four general categories: The more notable changes in the Tiinagh script are coincidental with the recent reviv- al of the script by Amazigh cultural movements and the perception of Tiinagh as a cultural asset and an identity signiier.

These new shapes are most prob- ably the result of changes in the procedures, substrates and tools which customarily go along with new uses of writing. Probably based on Tamalout Figure 4.

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The term and the Siwa Oasis in Egypt Figure 1.